Guide

Copywork vs dictation, narration, imitation and freewriting

Copywork means copying a passage while looking at it. Dictation means writing a passage from hearing it, usually after studying it. Copywork trains close looking and accuracy; dictation tests whether that accuracy holds without the text in front of you. Narration, imitation and freewriting train other skills: recall, style and fluency.

Copywork

In copywork you reproduce a passage exactly while the original is in front of you. Nothing depends on memory except the phrase you are holding while you write it down. That makes copywork the gentlest of these exercises and the best place to start, for a seven-year-old or for an adult studying a writer's style.

It trains attention to detail: spelling, punctuation, capitals and the shape of sentences. For adult writers it is a way to slow down and see how a good writer builds a paragraph. Its limit is that you never have to produce anything yourself, so it should lead into the exercises below rather than replace them.

Dictation

In dictation someone reads a passage aloud and you write it down. Done the old way, unprepared, it is mostly a test. Charlotte Mason thought that version did harm: she called dictation “as commonly practised” perhaps “the most mischievous” of school exercises, because children wrote words wrong and the wrong image stuck.

Her alternative was prepared dictation. “A child of eight or nine prepares a paragraph, older children a page, or two or three pages.” The child studies the words they are unsure of until they can see them with eyes shut, and then the teacher reads the passage “clause by clause, each clause repeated once.” The children are expected to punctuate as they write without being told where commas go.

Dictation trains spelling and punctuation from memory, listening, and holding a clause in your head long enough to write it. For adults it is less common, but self-dictation works: study a paragraph, cover it, and write it from memory, which is close to what W. Somerset Maugham described doing with Jeremy Taylor and Swift.

Narration

Narration is telling back, in your own words, what you have just read or heard. Mason made it central to her method: from age six, “not earlier,” a child narrates a story read aloud, episode by episode, after a single hearing. Oral narration later becomes written narration.

Narration trains comprehension, recall and organizing ideas in sequence. It produces original sentences, which copywork and dictation do not. For adults, writing a one-paragraph summary of an essay without looking back is a form of narration, and it is a good test of whether you understood the argument.

Imitation

Imitation means writing something new in another writer's manner, or reconstructing their text in your own words. Benjamin Franklin's Spectator exercise is the classic case: he made notes on each sentence, rewrote the essay from the notes days later, and compared his version with the original. Robert Louis Stevenson wrote original pieces in the manner of Hazlitt, Ruskin and Sir Thomas Browne, among others, and said “That, like it or not, is the way to learn to write.”

Imitation trains style: vocabulary, sentence variety and structure. It is harder than copying because you must produce the sentences, and more useful for the same reason. It works best after you have copied enough of a writer to recognize their patterns.

Freewriting

Freewriting is writing nonstop for a fixed time without editing. Peter Elbow popularized it in Writing Without Teachers (1973): write for ten minutes, never stop to cross out or fix spelling, and if you get stuck, write that you are stuck. “The only requirement is that you never stop.”

Freewriting trains fluency and helps with blocks. It is the opposite of copywork in almost every way: no model, no accuracy, no correction. That makes the two good partners. Copywork gives you better patterns; freewriting gives you practice producing sentences quickly.

Side-by-side comparison

CopyworkCopy a passage exactly while looking at itClose attention, accuracy, sentence awarenessYes, visible throughoutBeginners of any age; studying a writer's style
DictationWrite a passage as it is read aloud, ideally after studying itSpelling and punctuation from memory, listeningYes, studied first, then hiddenChildren after copywork; adults testing recall
NarrationRetell a text in your own words after reading or hearing itComprehension, recall, organizing ideasYes, read once, then put awayChildren from about six; adults checking understanding
ImitationRewrite a text from notes, or write new material in its styleStyle, vocabulary, structureYes, as a model to compare againstTeens and adults who already write fluently
FreewritingWrite nonstop for a set time without editingFluency, generating ideas, overcoming blocksNoAnyone stuck or overly self-critical

When to use which

  • If a child is learning to write: start with copywork at around seven, add prepared dictation around eight or nine, and use oral narration throughout.
  • If you make careless spelling or punctuation errors: copywork, then self-dictation of the same passage.
  • If your sentences feel flat or monotonous: copywork from a writer you admire, followed by imitation.
  • If you understand ideas but struggle to explain them: written narration of essays you read.
  • If you can't get started or edit everything to death: freewriting.
  • If you want a weekly routine as an adult: two or three copywork sessions, one imitation exercise, and a freewrite before any real draft.

How they fit together

These exercises form a sequence from most support to least. Copywork gives you the text. Dictation takes it away after study. Narration keeps the ideas but not the words. Imitation keeps the style but asks for new content. Freewriting removes the model entirely. Most writers who describe learning this way moved along that sequence, copying first and then writing more of their own.

On Copywork, the typing-based copywork is the first step. Pair it with the exercises on our writing exercises page, or try Franklin's method on The Spectator, No. 10.

Questions

What is the difference between copywork and dictation?
In copywork you copy a passage while looking at it. In dictation you write a passage as it is read aloud, usually after studying it. Copywork builds accuracy with support; dictation checks that accuracy without it.
Which should come first, copywork or dictation?
Copywork. Charlotte Mason recommended transcription for children of seven or eight, and prepared dictation from about eight or nine, so children copy correctly before they write from memory.
What is narration in homeschooling?
Narration is telling back what was read, in the child's own words, after one reading. In the Charlotte Mason method it starts orally at about six and later becomes written narration.
Is imitation the same as copywork?
No. Copywork reproduces a text exactly. Imitation produces new writing in a model's style, or rebuilds a text from notes, as Benjamin Franklin did with The Spectator.
Do adults benefit from dictation?
Self-dictation can help: study a paragraph, cover it and write it from memory, then compare. It shows exactly which words and punctuation you did not really see the first time.
Can I combine copywork and freewriting?
Yes, and they complement each other. Copy a passage to absorb good patterns, then freewrite for ten minutes on your own topic. Over time the patterns start to appear in what you produce.

Sources

  1. Charlotte Mason, Home Education, Volume 1, chapters on Narrating, Transcription, and Spelling and Dictation (AmblesideOnline)
  2. Benjamin Franklin, Autobiography (Project Gutenberg eBook #20203)
  3. Robert Louis Stevenson, Memories and Portraits, including “A College Magazine” (Project Gutenberg eBook #381)
  4. W. Somerset Maugham, The Summing Up (Internet Archive)
  5. Peter Elbow, “Freewriting,” excerpted from Writing Without Teachers (1973)